Category: Atlanta Theater

Becky Shaw: Way More Than a Chick Play

If you judge a play by its title and think the new production of Becky Shaw at Actor’s Express is just a chick play, well you’d be so wrong. And may miss one of the best plays I’ve seen in a long time.

Yes, there is a woman named Becky Shaw in the play, and yes, she’s a single woman set up on a blind date. But she doesn’t even show up until the second act and the date is just a catalyst for the madness, mayhem and miscommunications that revolve around four other characters.

The play, which was a finalist for a Pulitzer in 2009, was written by Gina Gionfriddo, who has also written for “Law and Order.” And while there is no murder in this one, there is plenty of intelligent, witty dialog and situations that aren’t always so clear.

I’m not going to talk about the plot much. For the same reason I’ve given up reading book jackets. I enjoy finding out what is going to happen rather than reading about it beforehand and some of the enjoyment for me is not knowing what is going to happen. Like the believable movie “The Hangover,” where we follow along as the characters find out what they did the night before.  (Did it bother anyone else that they never explained the chicken?)

But I’ll sum up the relationships between the five characters in
Becky Shaw in two words borrowed from Facebook and a popular movie: It’s complicated.

As is often the case, much of the humor arises from these complications. And a lot of it also comes from characters expressing things we wish we could say, but would never have the nerve, particularly from the sarcastic and sardonic Max. At least I wouldn’t. Maybe that is why I seemed to be laughing at just about every line.

The play is very funny. Here are just a few lines from it. When rich money manager Max finds out his blind date doesn’t have a cell phone, he says, “Is my date Amish? … Fifty bucks says she thinks 401k is a band.” Read the full post »

Come Dunce with Me

I'm already laughing just seeing this photo of actor Aaron Muñoz portraying Ignatius J. Reilly in Theatrical Outfit's production of "A Confederacy of Dunces." (Photo by James Bullins)

Hey, I admit it. I’m deeply shallow when it comes to the theater. I go to a play to be uplifted and want to leave after two plus hours feeling upbeat and happy, not wallowing in the angst and hopeless despair of the human condition. I can get that from reading a few depressing status updates on Facebook.

So I can’t wait to go see A Confederacy of Dunces at the Theatrical Outfit this weekend. This production is a world premiere of an adaptation by Tom Key, so you already know it’s going to be amazing. Plus it’s directed by Richard Garner, co-founder of Georgia Shakespeare.

Take these two talented theater people, add in one of the funniest and most memorable books I’ve ever read, and you’re got the makings for unforgettable theater.

If you haven’t read the book, add it to your wish list. Just the way the book got published is a story in itself. In 1969 the author killed himself at the age of 31. His mother found a copy of the carbon-smeared manuscript, and certain it was a Great Novel, convinced Walker Percy to take a look. In a twist that sounds like only-in-the-movies, the book wins a Pulitzer Prize for fiction in 1981. Read the full post »

Taking a Chance Again – on Cats

Cats is playing at the Fox Theatre August 4-8. Photo by G Creative.

“Where’s the plot? Where is the dialogue?” I kept wondering as I sat through song after soaring song of the production of “Cats” in Chicago. When I finally read the program and saw it was based on a collection of poems by T.S. Eliot I felt a bit better about my inability to discern what was really going on beyond the fact that a bunch of crazy-wild costumed characters were dancing and singing in a junkyard.

Perhaps my confusion is a bit more forgivable if I tell you this was way back in the early 1980s, not long after Cats opened on Broadway in 1982 and well before it become a musical theater phenomenon and later the longest running musical on Broadway, a record it achieved in 1997.

The national tour of Cats is playing at the Fox Theatre August 4-8, presented by Theatre of the Stars.  This tour, the only one sanctioned by Andrew Lloyd Webber, recently celebrated its 27th year.

And I’ll be there tomorrow night. After all these years, it’s time for me to revisit the junkyard and become reaquainted with Mr. Mistofelees, Grizabella the Glamour Cat, Rum Tum Tugger, the mysterious Macavity and Shimbleshanks the Railway Cat. This time I’ll know what to expect.

For tickets, visit Ticketmaster.

He Vas My Boyfriend!

"A sed-a-give?" Anne Horak, Joanna Glushak, Cory English, Roger Bart and Shuler Hensley. Credit Photo: Paul Kolnik ©2009

"A sed-a-give?" Anne Horak, Joanna Glushak, Cory English, Roger Bart and Shuler Hensley. Credit Photo: Paul Kolnik ©2009

Some things from the 70s stand the test of time. Not polyester print shirts. Or shag haircuts for boys, or streaking. I mean really, who wants to see most people running naked. Unless they are jogging towards me with a strawberry daiquiri, a plate of shrimp scampi and tickets to Cabo, in which case I’ll overlook the wardrobe infraction.

But one thing that still makes me laugh is “Young Frankenstein,” the production now playing at the Fox Theatre based on the Mel Brooks movie that came out in 1974. Despite the fact that my friend Melissa, whose friendship also dates back to the 70s, and I knew just about all the gags, we still laughed out loud at the non-stop silliness. Read the full post »

Searching for Harmony on Avenue X

Chuck (Jeremy Cohen), Pasquale (Nick Spangler) and Ubazz (Steve French) sing backup harmony as Barbara (Rebecca Blouin) declares her womanhood in the a cappella musical Avenue X, Jan. 13 – Feb. 7, 2010 on the Alliance Stage.

Chuck (Jeremy Cohen), Pasquale (Nick Spangler) and Ubazz (Steve French) sing backup harmony as Barbara (Rebecca Blouin) declares her womanhood in the a cappella musical Avenue X, Jan. 13 – Feb. 7, 2010 on the Alliance Stage.

It’s doo-wop all over again. This vocal-based rhythm and blues music genre takes center stage at Avenue X, the current production at the Alliance Theatre. You won’t find any instruments here, other than the strong voices of the eight characters, who portray residents of Brooklyn in the 1960s, where efforts to unite differing cultures have unintended consequences.

Let’s just say there aren’t always happy endings, and their voices harmonize better than members of a family and neighborhood kids from different backgrounds. I especially enjoyed the teased-up hairdos and girlish laments of Rebecca Blouin. This former Miss America pageant contestant now teaches vocal lessons and yoga in addition to her theater roles. Fans of last season’s Jesus Christ Superstar will enjoy hearing Lawrence Clayton and J.D. Webster again.

I loved the music and the harmonies, and yes, the reminder that the good old days weren’t always so great.

The play runs through February 7.

Drop, Stop and Roll Your Way to This Show

(l-r) Randall Harr, Amber Nash, Anthony Irons, Amy Roeder and Steven Westdahl in a sketch from the The Second City: Peach Drop, Stop and Roll. Photo by Greg Mooney.

(l-r) Randall Harr, Amber Nash, Anthony Irons, Amy Roeder and Steven Westdahl in a sketch from the The Second City: Peach Drop, Stop and Roll. Photo by Greg Mooney.

When you live in a city known for being number one for toxicity, the longest commutes and a reputation for botching the Olympics, well – you just gotta laugh.

Which is exactly what we did for two hours as the talented ensemble from The Second City skewered my beloved hometown in “Peach, Drop Stop and Roll” at the Alliance Theatre’s Hertz Stage.

Loosely centered around the “mildly popular” Peach Drop held each year on New Year’s Eve in Underground Atlanta, this series of sketches is primarily Atlanta-focused, with jabs at locals such as Matt Ryan, Tom Sullivan, Clark Howard and Shirley Franklin’s flower. References abound to institutions ranging from Rich’s to the Ping Pig and the Clermont Lounge, which warranted its own skit of a dancer using her assets to crush beer cans. Read the full post »

My Heart Went Boom

RAIN - A Tribute to the Beatles  left to right: Joey Curatolo, Ralph Castelli, Joe Bithorn, Steve Landes  Photo by Joan Marcus

RAIN - A Tribute to the Beatles left to right: Joey Curatolo, Ralph Castelli, Joe Bithorn, Steve Landes Photo by Joan Marcus

It wasn’t Shea Stadium, where in 1965 55,000 screaming fans paid $5.75 to see the Beatles, but the scene at the Fox Theatre last night was rockin’ all the same at Rain: A Tribute to the Beatles.

Introduced by a redone clip of Ed Sullivan (played by Jerry Hoban) from their famous appearance on his show in 1964, the four “Beatles” played for two hours, taking the delighted audience on a trip from the sweet sentiment of “I Wanna Hold Your Hand” to the incomprehensible lyrics of “I Am the Walrus” and the activist-era peace songs.

I appreciated the chronological approach and particularly enjoyed the period clips interspersed with the songs while the band engaged in its several costume and wig changes. The TV ads from past decades were particularly hilarious, such as one for Prell shampoo and Duz laundry detergent when it included a pair of stockings in every box. (Check out classic TV ads yourself for a laugh. Ajax, cleans like a white tornado; Wisk, ring around the collar; and Brylcreem, a little dab’l do ya were just a few that brought back ancient memories for me.) Read the full post »

My Week with Jerry Springer

Me and Jerry hanging at the Press Club lunch.

Me and Jerry hanging at the Press Club lunch.

Now that probably would get me on a talk show, right? No, it wasn’t quite that intimate, but I did see tabloid talk-show host Jerry Springer twice this week – and neither time was quite what I expected.

Tuesday night I saw him as the slick lawyer Billy Flynn in a production of “Chicago” at the Fox Theatre. Having not really followed his career, I was rather shocked to hear he was playing the role, but  really when you think about the plot, which involves intrigue, murder and deception, well, he’s seen all that before.  He’s no Richard Gere, who played the role in the movie, but I enjoyed him in the part.

Then today I saw him speak at a luncheon for the Atlanta Press Club, where he surprised us by steering away from the advertised topic of the entertainment industry to talk about – health care reform.

But members of the press are not to be deterred from asking the questions everyone wants to know the answer to, such as “How did your show become what it is today?” That was the most interesting answer, as he said that after being mayor of Cincinnati for 10 years, losing the race for governor and anchoring nightly news with a segment for his own political views, he was asked to do the talk show. Which back then was normal. Then in an effort to attract an audience other than the middle-aged housewives that every other talk show was going for, they decided to go for the younger people.

“The decision was to go young, not crazy,” he said. “But young people are crazy.” He defended the language on the show, which he insists is the same language that a Harvard professor, one of the most educated people in the world, would use if he caught his wife in bed with the next-door neighbor. Not sure I’d argue with that one.

Jerry Springer enjoying his role in "Chicago."

Jerry Springer enjoying his role in "Chicago."

I also liked the question, “After all your years of hosting the show, what is your best relationship advice.” He said, “Be authentic and be kind.” Now, that’s good advice for anyone.

Legally Blonde Delivers Special Package

 

Just another day in the office of admissions at Harvard Law School

Just another day in the office of admissions at Harvard Law School

The short shorts-wearing UPS man wasn’t the only one delivering a special package in Legally Blonde The Musical – the entire show was a delight.

 

My friend Meg and I attended opening night at the Fox Theatre in Atlanta, and immediately found ourselves in a giggling gaggle of pink-and–fancy-dressed girls. We could have been at sorority rush all over again, but without the nervous tension, prominently displayed designer handbags, and crying in the bathroom afterwards.  Even the curtain had be cutesified, with a huge photo of a charm bracelet and an outline in pink neon. 

This high-energy show stays fairly true to the movie, and yes, major plot points still revolve around liposuction and perm management. Elle Woods is played by the talented Becky Gulsvig, who pretty much electrifies every scene.

One of my  favorites was her salon friend Paulette. Played by Natalie Joy Johnson, she gets her UPS man after advice from  Elle in the magical powers of the “Bend and Snap” move.  

A la “Stomp,” it’s always a kick to see other objects introduced into a dance routine, which was the case with the jump rope routine of the women inmates in the prison scene.  Somehow it was hard for me to get beyond the fact that inmates can’t even have shoelaces much less jumpropes. I acknowledge that noting  this as unrealistic, yet accepting that she got into Harvard Law School with a degree in fashion merchandising and an admission essay that involved cheerleaders and a marching band is rather inconsistent. 

The packed house cheered Elle on her journey to self-discovery, when her dreams led her beyond what she thought she wanted to something better for her in the end, acknowledged with the song “So Much Better,” just in case we missed the point that losing your shallow boyfriend whose inconsiderate ways you can’t change and gaining a loving, sincere one who merely needed clothing rehab is a good thing.

As we exited the theater, we saw several young girls waiting at the side door – no doubt hoping for a star sighting. And they were soon rewarded – two dogs who play Rufus came trotting out, perhaps heading for a late-night dinner.

Legally Blonde The Musical plays in Atlanta through July 19, then moves to Dallas and around the U.S. through May.

Oh, What a Night with the Jersey Boys

Jersey Boys are charming audiences at the Fox this summer in Atlanta.

Jersey Boys are charming audiences at the Fox this summer in Atlanta.

Being more of a Bruce Springsteen/RollingStones/Rod Stewart kind of girl in my younger years, the softer tones of Frankie Valli pretty much escaped my notice. Add to that the fact that one of my daughter’s college professors once stated, “‘Jersey Boys’ is everything that is wrong with American theater,” and you get the picture – the dancing/singing quartet wasn’t at the top of our list.

But hey, you don’t win Tony Awards for nothing, and it’s playing at my beloved Fox Theatre, so my daughter and I went to see “Jersey Boys” last week. Oh, what a night. Read the full post »